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Panathenaic amphorae were made from the mid 6th century BC until the end of the Hellenistic period, for the festival of the Great Panathenaea. From 566 BC onwards, the festival of the Great Panathenaea featured sporting events such as racing while armed, horse races, and musical competitions. At the major pan Hellenic games, the victors were presented with woven wreaths, while winners at the Panathenaic games received amphorae containing oil from the sacred olive groves of the city's goddess, Athena. The discovery of a 4th century BC inscription referring to the prizes has made it possible to estimate the number of vases produced for each festival at around 1,500. The quantity of amphorae awarded varied for each competition and age group, hence the winner of the chariot race received 140 amphorae (around 5,000 liters of oil) while the winner of the horseback archery competition received only four. The vases and their contents could be re sold by the winner a lucrative activity, since according to Pindar, only winners of the Panathenaic games were allowed to export the sacred oil out of Attica. This may explain the widespread dissemination of these amphorae throughout the Greek world. The form and decoration of the amphorae were codified from the middle of the 6th century onwards, and remained unchanged until their production ceased. A great many vase painters worked on their decoration, notably the Kleophrades Painter and the Berlin Painter, whose workshop marks often figure on Athena's shield (a gorgoneion for the Berlin Painter, for example). Panathenaic amphorae have broad, rounded bodies, slender necks and feet, and narrow, non protruding handles. The decoration is exclusively black figure, with one side depicting the winner's sporting discipline (in this case, the athlete was a hoplitodromos, competing in the a foot race while bearing arms). The second side always features a representation of Athena, wearing a helmet and armed with her lance and shield (the Athena Promachos, or "prepared for combat"), standing between two narrow pillars surmounted by cocks or from the late 5th century BC statues, often representing the victory goddess Nike, as here. From the second quarter of the 4th century BC (c. 363 BC), the goddess is no longer seen walking to the right, but changes direction, showing the inside of her shield.